PART 1: The Foundations of Tonal Music
1. A. Musical Space
B. Musical Time: Pulse, Rhythm, and Meter
2. Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint
3. Musical Density: Triads, Seventh Chords, and Texture
PART 2: Merging Melody and
Harmony
4. When Harmony, Melody, and Rhythm Converge
5. Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading
6. The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7; and Harmonizing Florid Melodies
7. Contrapuntal Expansions of Tonic and
Dominant: Six-Three Chords
8. More Contrapuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chords, and Reduction and Elaboration
PART 3: A New Harmonic Function, the Phrase Model, and Additional Melodic and Harmonic Embellishments
9. The Pre-Dominant
Function and the Phrase Model
10. Accented and Chromatic Embellishing Tones
11. Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions
12. The Pre-Dominant Refines the Phrase Model
PART 4: New Chords and New Forms
13. The Submediant: A New
Diatonic Harmony, and Further Extensions of the Phrase Model
14. The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships
15. The Period
16. Other Small Musical Structures: Sentences, Double Periods, and Modified Periods
17. Harmonic
Sequences
PART 5: Functional Chromaticism
18. Applied Chords
19. Tonicization and Modulation
20. Binary Form and Variations
PART 6: Expressive Chromaticism
21. Modal Mixture
22. Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German
Lied
23. The Neapolitan Chord (bII)
24. The Augmented Sixth Chord
PART 7: Large Forms: Ternary, Rondo, Sonata
25. Ternary Form
26. Rondo
27. Sonata Form
PART 8: Introduction to 19th-Century Harmony: The Shift from Asymmetry to Symmetry
28. New Harmonic
Tendencies
29. Melodic and Harmonic Symmetry Combine: Chromatic Sequences
PART 9: 20th Century Theory: Post-Tonal Music
30. Vestiges of Common Practice and the Rise of a New Sound World
31. Non-Centric Music: Atonal Concepts and Analytical Methodology
32. New Rhythmic and
Metric Possibilities; Ordered relations, Twelve Tone Techniques
Index of Terms and Concepts
Index of Musical Examples and Exercises
Online Appendices
Appendix 1. Invertible Counterpoint, Compound Melody, and Implied Harmonies
Appendix 2. The Motive
Appendix 3. Additional
Harmonic Sequence Topics
Appendix 4. Abbreviations and Acronyms
Instructor's Resources: Ancillary Resource Centre
Online Instructor's Manual:
- Solutions to all exercises from the text and workbooks
- Supplementary examples, exercises, and teaching guidelines that detail effective
strategies for each chapter
Student Resources:
- Supplementary drill exercises
- Streaming audio for nearly all examples
- Online appendices with additional content
Music Theory Skill Builder: NEW
(www.oup.com/us/mtsb)
-
Hundreds of interactive exercises allow students to practice key concepts in music fundamentals
E-Book (ISBN 9780199347155)
Steven G. Laitz is chair of the Music Theory and Analysis department at The Juilliard School and Professor of Music Theory at the Eastman School of Music. He serves as Director of the Gail Boyd de Stwolinski Center for Music Theory Pedagogy at the University of Oklahoma and Executive Editor of
Music Theory Pedagogy Online.